Oops I Did It Again Cast
| Oops!... I Did It Again | ||||
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| Studio album by Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
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| Genre |
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| Length | 44:37 | |||
| Label | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Again | ||||
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Oops!... I Did It Again is the second studio album past American singer Britney Spears released on May iii, 2000, through Jive Records. Though much in the vein of her debut anthology ...Infant 1 More Fourth dimension (1999), it is a popular, trip the light fantastic-popular, and teen pop record, the anthology incorporates a more than funkier and R&B sounds.[1] Contributions to the album'due south production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did It Once more received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The album became a massive commercial success, debuting at number one in over fifteen countries while peaking inside the top ten in various others. In the United States, it debuted at number one on the Billboard 200, with starting time-week sales of ane.39 million copies, becoming the fastest selling album by a female artist since Nielsen SoundScan began tracking point-of-sale music purchases in 1991.[3] This record was broken xv years subsequently by Adele'southward 25, which sold over 3.38 1000000 copies in its first week of release.[4]It became Spears' second consecutive album to be certified Diamond by the Recording Industry Association of America, denoting sales of over ten million copies in the U.s.a., making Spears at historic period 18 the youngest creative person to have multiple diamond albums.[5] With worldwide sales of over 20 million copies,[half-dozen] Oops!... I Did Information technology Again is one of the best-selling albums of all-time.
Four singles were released to promote the anthology. Its title runway was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number nine on the U.s.a. Billboard Hot 100. Its second single, "Lucky", peaked at number 1 in Republic of austria, Germany, Sweden and Switzerland, inside the top ten in Commonwealth of australia, Belgium, Canada, Denmark, Republic of ireland, Italy, the netherlands, New Zealand, Norway, Poland, Romania and the U.k., and at number twenty-three on the US Billboard Hot 100. Its 3rd single, "Stronger", reached the meridian ten in Republic of austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number xi on the Usa Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gilded certification in Australia, Denmark, Germany, New Zealand, Sweden, and the Us. Its final single, "Don't Let Me Exist the Terminal to Know", was moderately successful on the charts, peaking at number one in Romania, and within the top ten in Austria, Poland, and Switzerland, but failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several television shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She too was the host and musical guest for the first time on Saturday Night Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Over again Tour, starting on June 20, 2000 and ending at the Rock in Rio festival on January 18, 2001.
Recording and production [edit]
"When I did the first album, I had just turned 16. I hateful, when I expect at the album cover, I'm like, 'Oh, my lordy.' I know this next anthology's going to be totally dissimilar--peculiarly the material. I just got finished recording the get-go six tracks in Sweden 2 months agone, and the material is so much more funkier and edgier. And, of course, it's more mature because I've grown as a person also."
—Spears on the progression of her textile for the anthology.[7]
After vacationing for half-dozen days post-obit the completion of the ...Infant One More Time Tour in September 1999,[8] Spears returned to New York City to brainstorm recording songs for her next album; the majority of the recording took identify in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[nine] The songs "Oops!... I Did It Again", "Walk on By" (later covered past Gareth Gates), "What U See (Is What U Become)", and "Don't Get Knockin' on My Door" were the kickoff to be recorded at Martin's Cheiron Studios in the first calendar week of Nov; followed by "Stronger" and "Lucky", which were finalized (forth with the title track) in Jan 2000. Spears recorded "Don't Let Me Be the Final to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are Y'all At present" was an outtake from ...Baby I More Time. "Girl in the Mirror" and "Tin can't Make You Love Me"'s instrumental runway and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking upwards with producer Steve Lunt to record Diane Warren's "When Your Optics Say It" at Battery Studios on Friday, January 28, 2000, which preceded her TRL advent that day. "1 Kiss from You" was likewise recorded at Battery Studios but was afterward finished at third Floor in New York City. Spears also recorded the last track for the album "Dear Diary" which would later exist completed at Due east Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another vocal recorded during these sessions was "Heart". Her encompass of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during Feb 24–26, 2000 afterward attending the 42nd Annual Grammy Awards.[13]
By Jan, the then-untitled album was halfway to completion; Spears had worked on information technology primarily in the The states and Sweden, and finalized material in New York City.[9] She was heavily pressured subsequently ...Infant One More Fourth dimension 's huge commercial success, stating: "It's kind of hard following ten meg, I have to say. But after listening to the new textile and recording information technology, I'm really confident with information technology."[14] Upon the release of Oops!...I Did It Over again, Spears said: "I hateful, of grade at that place's some pressure", and added: "Just in my opinion, [Oops!] is a lot better than the first album. Information technology's edgier – it has more of an attitude. It'south more me, and I think teenagers will relate to it more than." Geoff Mayfield, manager of Billboard charts, added that the conclusion to release Oops!... I Did Information technology Again less than a year and a one-half after Spears' debut amounts to "very smart timing. My philosophy is when you lot have a young fan base, get 'em while they're hot."[15]
Music and lyrics [edit]
Oops!... I Did It Again was considered as a sequel to Spears' debut album, ...Babe One More Fourth dimension (1999),[ane] percolating with a advisedly measured alloy of familiar popular, funk, R&B and power balladry.[16] Spears said during an interview that the album has a more mature, R&B-flavored pop sound. "It's non something I inverse purposefully", Spears said of the album's sound and added: "It'south just something that kind of changed on itself with me being older. My voice has changed a little bit and I'm more confident, and I call up that comes across on the fabric."[7] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "It's going to daze everybody", calculation: "It has flavors of the original, but it's a straight 2000 version — new to the ear. Which I retrieve is cool, because people who capeesh that song are going to dear it. And I made it so new and immature that the immature kids that honey Britney are going to love it. It's going to take hold of both a mature and young audition."[17] Spears worked with Robert "Mutt" Lange on "Don't Allow Me Exist the Last to Know", telling MTV News: "When yous hear the song, it'southward then pure and fragile. It'southward only one of those songs that pull you lot in", and added: "I think they wrote it 'specially for me, considering the lyrics of the song, if yous really listen … they're more of what I can chronicle to, 'crusade they're kind of young lyrics, I think. I don't call back Shania would probably sing some of the words that I'm saying."[17]
The championship rails and opening vocal, "Oops!... I Did It Once again", was compared to her debut single, "...Baby 1 More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized vanquish. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, you think I'yard in love/That I'yard sent from higher up — I'm non that innocent."[18] The song also breaks down for a spoken-discussion interlude, involving a line from the film Titanic (1997).[18] The second track "Stronger" is a synthpop[19] and R&B-infused rails,[17] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[20] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her vocal "...Baby One More Time".[17] Another R&B-infused runway, which as well adds a bit more funk to the mix,[17] "Don't Get Knocking on My Door" finds Spears confidently forging alee afterward a breakup.[twenty] The fourth track, a comprehend of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry out, crackling lockstep is thrown down, turning the song into an urban stomp.[21] The dance-pop version also jettisons the song's final poetry and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my brim should be").[22] "[It] was my idea [to record the song]", Spears said. "I was just similar, 'I like this song,' and I think it will be a really cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song similar that."[13] The fifth rail, "Don't Let Me Be the Last to Know", was co-written by country-popular singer-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who also produced the track.[17] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears allowing a scrap of state twang into her vocals as she begs a lover to reveal his feelings: "My friends say you lot're into me ... but I need to hear information technology straight from you lot", she sings.[17]
The sixth track "What U See (Is What U Get)" demands respect past rebuking a jealous partner,[twenty] while the seventh track, "Lucky", is a centre-rending tale of a Hollywood starlet'southward loneliness, proving that fame tin can be empty.[20] "If there'southward nothing missing in my life/Then why do these tears come at night?", she asks.[19] "School crush" is the theme of "1 Kiss from You",[20] a rails that has a reggae-style beat and lyrics nearly the feelings of falling in love, and the quickness of it,[23] with Spears cooing that after only one kiss she sees her unabridged hereafter with her lover.[24] The ballad "Where Are Yous Now" talks about wanting to know where a previous honey is, and what that person is upwards to, so that she can finally let them get and find closure.[ citation needed ] Lines on "Can't Make You Love Me", a Europop song,[21] land that fancy cars and money pale in comparing to truthful dearest,[20] with Spears singing: "I'm simply a girl with a vanquish on yous."[21] The mid-tempo, synth-backed "When Your Eyes Say Information technology", written by songwriter Diane Warren, combines a string section with a loping hip hop beat,[17] while Spears makes her own songwriting debut on the modest, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the rail, she sings of wanting to get "so much more than than friends" with a boy.[17]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Boom Hits in the United Kingdom.[25] In Italy, she did a short interview on the television show TRL Italy in early on 2000.[25] and gave a surprise performance in Paris in May 2000.[26] In Commonwealth of australia, Spears appeared on The House of Hits and Russell Gilbert Alive on May 13.[25] In Espana, she gave an interview with El Rayo on September 8 and October 24.[25] Spears performed at large venues in the United Kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Loonshit. She was accompanied past NSYNC, who toured with her during a short United kingdom of great britain and northern ireland outing in October 2000.[26]
Oops!... I Did It Over again was first released in Nippon on May iii, 2000, and was subsequently released in the United States on May 16. In the Usa, Spears appeared on Saturday Dark Live on May 13, The Rosie O'Donnell Show on May 15, and Teen People's 25 Nether 25 on May 26.[27] On May 10, she was interviewed on Late Nighttime with Conan O'Brien.[25] On May 13, Spears was both the host and musical invitee on NBC's Saturday Dark Live. She besides performed on NBC'southward The This evening Testify with Jay Leno on May 23.[28] Spears' held her mail-TRL listening party, "Britney's First Listen", on May 16, and was toast the arrival of her album on next Tuesday's installment of TRL that started at 3:30 p.chiliad. (ET).[29] On May 14, she was at Times Square studios for two hours of "Britney Live" that started at noon.[29] Spears performed "Oops!... I Did It Once again" on MTV's All Access: Backstage with Britney that was broadcast on July nineteen, 2000.[25] On September seven, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable alive operation.[30] which included a cover of the Rolling Stones'due south hit single "(I Can't Get No) Satisfaction" (1965) and her ain hit "Oops!... I Did It Again", released before that twelvemonth. While she began her segment in a black suit, she shocked the audience and the media while, at only the historic period of 18, ripped it off to brandish a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[31] One month before the release of the anthology, Spears headed to Hawaii on Easter Sunday so she could tape a Fox telly special titled Britney Spears in Hawaii. The gratuitous concert was held on the beach in forepart of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[32] The Fox concert event was intended to serve as a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[32] Spears had on a month-long international promotional bout in support of Oops!... I Did It Once again, and on May 2, she had a press event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[33] Spears was also among the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at 8 p.thou. (ET/PT).[34] She was also expected to appear on a Grammy-day TRL.[34]
The album'due south supporting bout, the Oops!... I Did It Again Tour, visited North America, Europe, and Brazil as part of Stone in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Permit Me Be the Last to Know". On June 24, 2000, Spears was featured in a print and television receiver ad campaign for Clairol'southward Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her ain song for the brand chosen "I've Got the Urge to Herbal" that was featured in 60-second radio spots and was function of a pre-concert video presentation for Spears's fifty-city summer concert tour, in which Herbal Essences was the bout sponsor.
Singles [edit]
"Oops!... I Did It Again" was released as the atomic number 82 single from the album and achieved worldwide popularity. It became Spears'south tertiary top-ten striking single on the US Billboard Hot 100, peaking at number nine; withal, in comparison to the huge success of her debut unmarried "...Babe One More than Time", Jive Records considered "Oops!... I Did Information technology Again" a small disappointment.[36] The song peaked at number one on the US Mainstream Top twoscore,[37] holding the record for the most radio additions in one day. "Oops!... I Did Information technology Once again" peaked atop the charts in Australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[38] An accompanying music video for "Oops!... I Did Information technology Again" saw Spears on Mars in now-iconic cherry-red shiny catsuit, while she is visited by an American astronaut who easily her the fictional Heart of the Ocean jewel which Rose threw into the ocean at the end of Titanic.[39]
The album'south 2d unmarried, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered one of her all-time offerings from the album. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number five on the UK Singles Chart.[xl] In the United states of america, "Lucky" only managed to peak at number 20-three on the Billboard Hot 100 chart and at number 9 on the Mainstream Top 40.[36] The "glittery" music video sees Spears equally the narrator and an extra named Lucky, who is a melancholy movie star and shows her conflicted relationship to fame.[41]
The third unmarried, "Stronger", was released on October 31, 2000 and became the album's 2d highest-charting single in the The states, peaking at number eleven on the Billboard Hot 100 and number one on the Hot Single Sales.[36] It reached number seven on the Britain Singles Chart.[42] Its music video sees Spears catching her boyfriend adulterous on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the pelting,[41] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasure Principle".[43]
The fourth and final single, "Don't Let Me Be the Last to Know", was released on March 12, 2001 and is ane of Spears' favorite tracks of her career. In the United States, the song performed well below expectations, declining to chart on the Billboard Hot 100 nor the Mainstream Summit twoscore. Nonetheless, the vocal attained success in Europe, topping the Romanian Tiptop 100 and peaking within the peak ten in Austria, Poland and Switzerland, while just missing the top x in Deutschland, Republic of ireland, Sweden and the Uk, peaking at number twelve in all of them.[44] The music video was considered too racy at the fourth dimension, portraying Spears in dear scenes with her fictional boyfriend, played by French model Brice Durand.[45]
"You Got It All" received a promotional release in French republic in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the United Kingdom in January 2001.[ citation needed ]
Disquisitional reception [edit]
| Amass scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[47] |
| Review scores | |
| Source | Rating |
| AllMusic |   [1] |
| Billboard | favorable[sixteen] |
| Christgau'southward Consumer Guide |  [48] |
| Entertainment Weekly | B[21] |
| Los Angeles Daily News | [49] |
| MTV Asia | 8/10[l] |
| NME | eight/x[xix] |
| Rolling Rock |  [22] |
| Salon | favorable[51] |
| Sonic.cyberspace | [52] |
Oops!... I Did It Once more received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did Information technology Once more received an average score of 72, based on 12 reviews, indicating "generally favorable reviews".[53] Giving the anthology four out of 5 stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy dance-pop that made 'One More Time'," simply remarked that, "Fortunately, she and her production team not simply have a stronger overall set of songs this time, but they too occasionally get carried away with the aforementioned bewildering magpie artful, [...] giv[ing] the album grapheme apart from the well-crafted trip the light fantastic toe-popular and ballads that serve every bit its heart. In the end, it'due south what makes this an entertaining, satisfying mind."[1] Billboard mag wrote that "'Oops!...' indicates that she's developing a soulful edge and emotional depth that tin't be conjured with a glass-shattering notation," praising the album for consistently cast[ing] Spears as a young woman coming to terms with her inner power—and that'south a darn good message to offer an impressionable audience."[16] Amusement Weekly'southward David Browne gave the album a B-rating, writing that the album "reminds the states once more that the best new popular can be a blast of absurd air in a stifling room."[21]
Rob Sheffield of Rolling Rock gave the album a three-and-a-half out of five stars rating, calling the album "fantastic pop cheese, with much improve song-manufacturing plant hooks than 'Due north Sync or BSB get", besides noting that "the great thing about Oops!, under the cheese surface, is complex, tearing and downright scary, making her a true child of rock & roll tradition."[22] A writer of NME reported that "she'due south modern-day popular perfection realised in a near, human class", commenting that "she'due south done it again."[19] Lennat Mak of MTV Asia named it "a brilliant second album", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of course, extensive media exposure."[50] Andy Battaglia of Salon called the anthology "a masterpiece of sorts not for its message simply for the way it applies the conventions of the popular-musical medium."[51] Website The A.V. Lodge was more than mixed, calling information technology "a joyless chip of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks equally Diane Warren and assorted Swedes."[54]
Accolades [edit]
Commercial performance [edit]
In the Usa, Oops!... I Did It Again reportedly sold 500,000 copies in its first day of release.[60] It debuted at number i on the Billboard 200 chart, with commencement-week sales of one,319,193 copies.[61] [62] [63] With its success, Spears held the record for the highest starting time-week sales by a female person artist.[64] This record was held for 15 years, only to be surpassed in November 2015 past the album 25 by Adele, which sold over 3.38 one thousand thousand albums in the United States in its start week.[4] The album fell to number two in its 2nd week, with additional sales of 612,000 copies.[65] Information technology held this position for fifteen sequent weeks.[66] [67] By its 5th calendar week of availability, Oops!... I Did It Again had sold over three million copies and had passed five million copies past August.[68] On its seventeenth week on the chart,[69] information technology was certified septuple Platinum past the Recording Industry Association of America (RIAA) for shipments of 7 million units.[70] [71] The album spent eighty-four weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and two weeks on the U.s.a. Catalog Albums.[72] Oops!... I Did It Again debuted at number eighty-two on the European Superlative 100 Albums, and quickly peaked at number 1;[73] it sold over iv 1000000 copies within the continent, being certified 4-times Platinum by the International Federation of the Phonographic Industry.[74] Oops!... I Did It Again reached number two on the UK Albums Nautical chart,[38] selling 88,000 copies in the start week of release; it remained in the top five for 4 weeks. The anthology debuted at number one in Canada, selling 95,275 copies in its showtime week.[75]
It topped the French Albums Chart[76] and the German Offizielle Peak 100, besides existence certified triple Platinum by the British Phonographic Manufacture (BPI),[77] double Gold by the Syndicat National de fifty'Édition Phonographique (SNEP)[78] and triple Platinum by Bundesverband Musikindustrie (BVMI),[79] cogent shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent ten weeks in the elevation twenty;[80] it became the fourteenth highest-selling of 2000 in the state and was certified double Platinum past the Australian Recording Manufacture Association (ARIA) the following year after shipping 140,000 copies to retailers.[81] [82] Oops!... I Did It Again opened at number three on the New Zealand Albums Chart and was certified Gold afterwards just one week on the chart.[83] The Recording Industry Association of New Zealand (RIANZ) ultimately certified it double Platinum.[84] Oops!... I Did Information technology Again became the third best-selling album of 2000 in the U.s., selling 7,893,544 albums according to Nielsen SoundScan[85] and fourth best-selling anthology co-ordinate to Billboard Year-End of 2000.[86] On Jan 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Industry Association of America (RIAA).[87] [88] Also, the album landed at number twenty-seven on BMG Music Club all-time best-sellers listing with 1.21 million units, backside Shania Twain'southward The Adult female in Me (one.24 1000000) and Nirvana'due south Nevermind (i.24 million).[89] As of July 2009, the anthology has sold 9,184,000 copies in the United States, excluded copies sold through clubs, such as the BMG Music Service.[90] Worldwide, Oops!... I Did Information technology Once more sold 2.5 million copies in its first calendar week (second highest beginning week sales by a female person artist worldwide) and sold 15 1000000 copies by the cease of the year. It was the best-selling female album and 3rd best selling album of 2000. The album has sold 20 million copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Grouping and BMG Music Publishing, claiming Spears' "What U See (Is What U Go)" and "Can't Brand Y'all Love Me" are "virtually identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song chosen "What You See Is What You Get" in 1999 to one of Spears' representatives for consideration on a future album, though information technology was rejected.[91] The case was later dismissed after information technology was ruled that they lacked sufficient evidence and that there "weren't enough similarities betwixt the two songs to prove copyright infringement."[92]
Rails listing [edit]
| No. | Title | Author(s) | Producer(due south) | Length |
|---|---|---|---|---|
| 1. | "Oops!... I Did It Again" |
|
| 3:31 |
| two. | "Stronger" |
|
| three:23 |
| 3. | "Don't Go Knockin' on My Door" |
|
| iii:43 |
| iv. | "(I Can't Become No) Satisfaction" |
| Rodney Jerkins | 4:23 |
| 5. | "Don't Permit Me Be the Terminal to Know" |
| Lange | 3:50 |
| vi. | "What U See (Is What U Get)" |
|
| 3:36 |
| vii. | "Lucky" |
|
| 3:26 |
| viii. | "One Kiss from You" | Steve Lunt |
| three:23 |
| 9. | "Where Are You Now" |
|
| 4:39 |
| ten. | "Can't Make You Love Me" |
|
| 3:17 |
| 11. | "When Your Eyes Say It" | Diane Warren |
| 4:29 |
| 12. | "Dear Diary" |
|
| 2:46 |
| Full length: | 44:37 | |||
| No. | Title | Writer(s) | Producer(due south) | Length |
|---|---|---|---|---|
| 12. | "Daughter in the Mirror" | Elofsson |
| 4:06 |
| 13. | "Love Diary" |
|
| 2:46 |
| Full length: | 48:24 | |||
| No. | Championship | Author(south) | Producer(south) | Length |
|---|---|---|---|---|
| xi. | "When Your Optics Say It" | Warren |
| four:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| 13. | "You Got Information technology All" | Rupert Holmes | Eric Foster White | 4:43 |
| xiv. | "Dear Diary" |
|
| 2:46 |
| Total length: | 52:33 | |||
| No. | Title | Writer(south) | Producer(s) | Length |
|---|---|---|---|---|
| xi. | "When Your Optics Say Information technology" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| 13. | "You Got It All" | Holmes | White | four:10 |
| 14. | "Center" |
|
| 3:31 |
| 15. | "Honey Diary" |
|
| ii:46 |
| Total length: | 55:34 | |||
| No. | Title | Length |
|---|---|---|
| ane. | "Don't Permit Me Be the Last to Know" (Anthology version) | 3:50 |
| 2. | "Don't Let Me Be the Concluding to Know" (Hex Hector Radio Mix) | 4:01 |
| 3. | "Don't Let Me Be the Last to Know" (Hex Hector Club Mix) | 10:12 |
| 4. | "Stronger" (MacQuayle Mix Show Edit) | five:21 |
| 5. | "Stronger" (Pablo La Rosa's Tranceformation) | 7:21 |
| 6. | "Oops!... I Did It Once again" (Music video) | 4:11 |
| vii. | "Lucky" (Music video) | 4:07 |
| eight. | "Stronger" (Music video) | 3:37 |
| ix. | "Don't Let Me Be the Last to Know" (Music video) | iii:51 |
| Total length: | thirty:52 | |
| No. | Title | Length |
|---|---|---|
| one. | "Oops!... I Did Information technology Again" (Music video) | 4:twenty |
| ii. | "Lucky" (Music video) | iv:14 |
| three. | "Stronger" (Music video) | 3:47 |
| 4. | "Oops!... I Did It Once again" (Karaoke) | 4:17 |
| 5. | "Lucky" (Karaoke) | 4:18 |
| 6. | "Stronger" (Karaoke) | 3:46 |
| Total length: | 25:25 | |
Notes
- Track iv, "(I Can't Get No) Satisfaction" is a encompass of the 1965 Rolling Stones single.
- ^a signifies a vocal producer
Personnel [edit]
Credits adjusted from AllMusic.[100]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Brown – assistant engineer
- Flip Osman – assistant engineer
- Clayton Wood – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, banana engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Bricklayer, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – song engineer
- Jackie Murphy – art management, design
- Mark Seliger – dorsum cover, cover photo
- Larry "Rock" Campbell – bass, guitar, producer, drum programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – make-upward
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal organisation, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – cord coordinator
- Hayley Hill – stylist
- Alfred V. Chocolate-brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Cistron Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – background vocals
- Nana Hedin – groundwork vocals
- Darryl Anthony – background vocals
- Nora Payne – groundwork vocals
- Jeanette Söderholm – background vocals
- Therese Ancker – background vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – groundwork vocals
- Nina Woodford – background vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – background vocals
- Stephanie Baer – groundwork vocals
Charts [edit]
Weekly charts [edit]
| Twelvemonth-end charts [edit]
Decade-end charts [edit]
All-time charts [edit]
|
Certifications and sales [edit]
Release history [edit]
Come across likewise [edit]
- List of acknowledged albums
- List of acknowledged albums by women
- List of all-time-selling albums in the United States
- List of fastest-selling albums
Notes [edit]
- ^ Equally of Dec 2010, Oops!...I Did It Again has sold 9,201,000 copies in the United States according to Nielsen SoundScan,[187] with additional 1,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[90]
References [edit]
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- ^ Panas, Dan (December 29, 2000). "Marie är popens drottning år 2000". Aftonbladet (in Swedish). Archived from the original on March 16, 2021. Retrieved March 16, 2021.
- ^ "Guld- och Platinacertifikat − År 2002" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on 2011-05-17.
- ^ "The Official Swiss Charts and Music Community: Awards (Britney Spears;'Oops!... I Did Information technology Again')". IFPI Switzerland. Hung Medien.
- ^ Copsey, Rob. "Albums turning 20 years quondam in 2020". Official Charts Visitor. Retrieved nine January 2020.
- ^ "British album certifications – Britney Spears – Oops!... I Did It Once more". British Phonographic Industry. Select albums in the Format field.Select Platinum in the Certification field.Type Oops!... I Did Information technology Again in the "Search BPI Awards" field and then printing Enter.
- ^ Trust, Gary (May 27, 2012). "Inquire Billboard: Spears, Lovato's 'X'-cellent Sales". Billboard . Retrieved April xiv, 2022.
- ^ "American album certifications – Britney Spears – Oops". Recording Industry Association of America.
- ^ "Premios – 2000" (in Castilian). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did It Once again - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Once more!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon
- ^ "Oops!... I Did It Again (Special U.k. Edition)". AllMusic. October 9, 2000. Retrieved Baronial 31, 2021.
- ^ "Oops!... I Did It Again [Japan 2001 Bonus Tracks]". AllMusic. February thirteen, 2001. Retrieved Baronial 31, 2021.
- ^ "Oops!...I Did Information technology Again Australia Special Edition w/Bonus Disc of Remixes And Videos". Record Runner USA . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Again Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Once again 20th anniversary edition picture vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Yr past twelvemonth. 1959-2002] (in Spanish). Madrid, Espana: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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